While probably the most interesting and engaging parts of the game, these interactions could certainly be in greater number and of greater consequence for the plotline. It’s at this bunker that Szymon gets to know and interact, through a comm-system, with a female character named Ewa. When the game begins, and in a quest to ultimately find his mother or at least someone who knew her, he enters one of the many abandoned bunkers scattered throughout all of Europe. You play as a Polish survivor named Szymon, 20 years after the aforementioned man-made holocaust. These developments ultimately led to the obliteration of a big chunk of the planet, creating the post-apocalyptic world where Paradise Lost takes place in. In Paradise Lost, you play in a world set in an alternate timeline, where the second world war never actually ended, but instead continued through to the 60’s, giving the Nazis more than enough time to develop even more devastating weapons using the power of the atom. So why did I finish Paradise Lost feeling basically nothing? An alternate take on history that sprouts huge amounts of possibilities for engaging stories to be told and conveyed through gameplay and exploration, a haunting environment that is both detailed, and at a first glance, massive in size, and finally, two main characters that are given more than enough time to interact with each other and make the player care for them. In theory, Paradise Lost has everything it needs to be a success and an interesting game to experience and play.
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